The confirmed number of Kyrgyzstan gambling halls is something in question. As information from this country, out in the very remote interior part of Central Asia, can be difficult to get, this might not be too difficult to believe. Whether there are 2 or three approved gambling halls is the thing at issue, maybe not really the most earth-shattering piece of data that we do not have.
What certainly is accurate, as it is of most of the ex-Russian states, and definitely accurate of those located in Asia, is that there will be a good many more not approved and clandestine gambling dens. The switch to approved wagering did not energize all the aforestated gambling halls to come from the dark and become legitimate. So, the controversy over the total number of Kyrgyzstan’s casinos is a small one at best: how many authorized ones is the element we’re attempting to resolve here.
We understand that located in Bishkek, the capital municipality, there is the Casino Las Vegas (a stunningly original title, don’t you think?), which has both gaming tables and one armed bandits. We will also see both the Casino Bishkek and the Xanadu Casino. The pair of these have 26 video slots and 11 table games, divided amongst roulette, 21, and poker. Given the amazing similarity in the sq.ft. and layout of these two Kyrgyzstan casinos, it might be even more bizarre to determine that the casinos share an address. This appears most strange, so we can likely state that the number of Kyrgyzstan’s casinos, at least the approved ones, ends at 2 members, one of them having altered their name just a while ago.
The country, in common with almost all of the ex-USSR, has undergone something of a accelerated change to capitalistic system. The Wild East, you might say, to refer to the anarchical conditions of the Wild West a century and a half back.
Kyrgyzstan’s casinos are almost certainly worth visiting, therefore, as a piece of anthropological research, to see dollars being wagered as a form of collective one-upmanship, the absolute consumption that Thorstein Veblen wrote about in nineteeth century usa.
